Several years ago, Pierre Long Tang, then a Pepperdine faculty, told me with a touch of despair that undergraduates couldn’t listen to Bruckner because his symphonies are too complex and too long for their attention span. I’d imagine they felt somewhat the same about Mahler. We live in an age of minuets and scherzos apt for TikTok, not oratorios and concertos. And certainly not symphonies from late romanticism that rack up an hour’s time on average.
Continue reading “Commute listening: Mahler’s first five symphonies”
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