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tuannyriver

Website & blog of Tuan Hoang, Pepperdine University

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nationalism

Five recent articles on Vietnamese history

This summer has been one on Vietnamese history: some for research and some for the sheer pleasure of knowledge.  Before turning to prepping for fall classes, I wish to have one more write-up about several articles read in the last two months.  The focus is Vietnamese history but away from the Vietnam War.  Below, I go over each article in chronological order of their topics.

Continue reading “Five recent articles on Vietnamese history”

Song of refugees #4 – Anh Vẫn Mơ Một Ngày Về (I Still Dream of Returning One Day)

Ask Vietnamese to name Vietnamese female singers that they love, and you can expect to hear many names.  Ask them to name a Vietnamese female songwriter, and just about everyone will be stumped by the question.  For there has been little recorded popular music written by Vietnamese women.  I have no explanation for the wide discrepancy.  But such was the case, at least in South Vietnam and the postwar diaspora.

Continue reading “Song of refugees #4 – Anh Vẫn Mơ Một Ngày Về (I Still Dream of Returning One Day)”

Song of war #2 – Đêm Nguyện Cầu (Night of Prayer)

Belief in God tends to be strong for people living amid warfare. It is hardly a surprise then that prayer finds its way into music written during war.  It was surely the case with popular music in South Vietnam.

Since this is the week of Christmas, it is worth mentioning that one the most popular South Vietnamese albums is filled with prayer.  It is the third album of the fine series Sơn Ca (Birdsong), and the title is simply Giáng Sinh: Tình Yêu và Hòa Bình: Christmas: Love and Peace.  It features some of the biggest names in the Saigon music scene at the time: Thái Thanh, Khánh Ly, Thanh Lan, Giao Linh, Lệ Thu, Anh Khoa, etc.  (A recording from Elvis Phương would have completed this A-list.)

Continue reading “Song of war #2 – Đêm Nguyện Cầu (Night of Prayer)”

Song of war #3 – Du Mục (The Herd)

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Refugees in Saigon, May 1968 ~ pc Stripes.com

Continue reading “Song of war #3 – Du Mục (The Herd)”

Family and nation in a Khánh Ly song

To reiterate a point from the last post, nationalism appears here and there in South Vietnamese music, not in one place.  Strong arguments will necessarily come from a broad survey of songs, not a few.  For now, however, I will zoom in on just one song in the hope of illustrating certain aspects of nationalism in the Republican South.

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The band Vì Dân (For the People) in 1959, with Hoài Linh holding the accordion (source: khanhly.net)

What is Ba Lần Mẹ Khóc, whose title I have Englished as Thrice Mother Wept, opting for old-style “thrice” over “three times” in order to cut down on syllables? Like Tuổi Trẻ Chúng Tôi, it was recorded only once in South Vietnam. KEEP READING!

My first time at the AAS

This is the first of two posts on music in South Vietnam. Here is the second post.

The first time at the Association of Asian Studies (AAS), I presented a paper on ethnic nationalism in South Vietnamese music.  Thanks to a nice line-up that I put together plus auspicious scheduling – it was after lunch without another panel on Vietnam at the same time – a lot of people in the field showed up to this panel.  It seemed, indeed, as if Keith Taylor was the only big name from the U.S. missing.  (I did see him a few days later at Cornell.)  The sizable room was nearly packed:  a most desirable outcome for a conference panel anywhere.

Alas, it was a successful outing in most respects but for me. KEEP READING!

Thoughts on the fortieth anniversary of the end of the Vietnam War

Fall of Saigon 30041975_0001

Posted on FB on April 26, 2015

The Cornell Vietnam Speakers Series asked last week, “What is on your mind about the Vietnam War as we approach the 40th anniversary of its conclusion?” Here are the things that I jotted down between grading and seeing students as the semester wound down.

Continue reading “Thoughts on the fortieth anniversary of the end of the Vietnam War”

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