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tuannyriver

website & blog of Tuan Hoang, Pepperdine University

Song of war #9: Tám Nẻo Đường Thành (Eight City Roads)

A good case can be made for this song to be ranked higher than the ninth spot, maybe even in the top five.  But I’m going to keep it in this spot because it provides a sort of continuity from the #10 song, Quê Hương Chiến Tranh or Country At War.

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The title means eight urban roads or ways.  While nẻo đường is used enough in writing and speaking, it isn’t clear why Hoài Linh, author of the song, chose eight instead of four, six, or nine – all of which have the same accent tone as eight in Vietnamese, which is dấu sắc.  In an online analysis last year, Cao Đức Tuấn makes the argument that the phrase tám nẻo đường thành is particular to the city of Saigon.  He suggests an association to the old octagonal Citadel of Saigon – Thành Bát Quái – constructed in the late eighteenth century with crucial engineering assistance from French allies to the first Nguyễn emperor Gia Long.  The evidence on this particular point is thin. But the larger point that the title refers to Saigon is plausible, if for other pieces of evidence in the lyrics.

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Panel on Vietnam at the Pacific Council

Well, that was fun.

Yesterday began with an email looking for an eleventh-hour replacement. Four hours later, I was in downtown Los Angeles as moderator of a luncheon panel on Vietnam at the Pacific Council on International Policy.

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Photo courtesy of Chaka Jones / PCIP

The luncheon was the first in a new series of talks at the Pacific Council, and the speakers were Murray Hiebert and Tuong Vu. They provided an overview on Vietnam today – economy, government, education, relations with China and the U.S., etc.  They also responded to a variety of questions from the audience of about twenty-five people in law, business, government, and higher education.

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Cradle Catholic – ridiculous phrase; who invented it?

Along with three Pepperdine colleagues, I participated in a faculty panel at a gathering of a Lilly Graduate Fellows cohort in Malibu on August 3 of this year.  Academic in setting, the atmosphere nonetheless leaned towards the personal.  So were the reflections from the panel, mine included. My appreciation goes to my Great Books colleague Jane Rodeheffer for the invitation, and to Michael Ditmore for comments on an earlier draft of this still half-baked reflection.

Continue reading “Cradle Catholic – ridiculous phrase; who invented it?”

Song of war #10 – Quê Hương Chiến Tranh (Country At War)

Thinking about this list of “top ten Vietnamese songs of war,” I’ve had the hardest time with the songs in the middle of the list. But I knew exactly which song to begin the series and which one to end it.

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For a starter, it is hard to find a better tune than Quê Hương Chiến Tranh Country At War if only for the title.  Few titles in South Vietnamese music on war are as succinct or straightforward as this one, for it names the most significant experiences among twentieth-century Vietnamese: war and nation.

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Twenty Vietnamese songs on war and refugees

Bài lời Việt theo sau bài tiếng Anh. Hai bài hao hao nội dung nhưng không giống hẳn. The Vietnamese portion follows the English. I cater each language to different readers and they aren’t entirely the same.

April 30 was of course the climax of the fortieth anniversary of the end of the Vietnam War and the beginning of mass Vietnamese migration to the U.S.  But there’s still a lot of the anniversary year left.

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April 30, 2015 in Little Saigon, Orange County

Tomorrow is the first day of classes at my institution, and I will continue to honor this anniversary by posting about Vietnamese music related to war and refugees throughout the fall semester and into the spring semester.

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Video: Great Books in Fall 2014

It’s New Student Orientation, and earlier today I had the pleasure of meeting students assigned to my Great Book I sections, plus their parents in a separate meeting. I showed both groups the following video about the same class a year ago.

I hope you’ll get a kick watching even though (or because) it highlights activities other than discussion, which constituted the bulk of class time. “I love the discussion that occurs in this class,” wrote a student in the course evaluation, “This class is essentially many intelligent people gathering to discuss ideas and perspectives.”

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Viola the refugee

GB II Twelfth Night
APRIL 2015. Neal Kelley assists students staging Act 4 Scene 1 to a Coachella Music Festival setting.

Continue reading “Viola the refugee”

Starting point for a literary history of Vietnamese in the U.S.

What did the first waves of Vietnamese refugees in America think about themselves? What was their mindset regarding their place in the world?  Is it possible to write a coherent literary history of their experience?

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Cover of the book under discussion, next to a collection by Thái Tú Hạp published three years later ~ Source: nguoi-viet.com

The search for answers can take different directions and have different starting points.  In my opinion, it isn’t a bad idea to begin with a collection of poetry, essays, memoirs, and fiction entitled Tuyển Tập Thơ Văn 90 Tác Giả Việt Nam Hải Ngoại 1975-1981: Selected Poetry and Prose from Ninety Vietnamese Writers Abroad, 1975-1981 (Missouri City, TX: Văn Hữu, 1982). KEEP READING!

The perfect Beatles love song

Here’s my first blog post ever from ten years ago this week, when I was in grad school.  How time flies! It’s slightly edited with added links and photos.

One of my fondest memories of last year was getting together every now and then with two grad friends to strum acoustic guitars and sing Beatles songs. Frequently enough, we did “Here, There and Everywhere,” with art historian Jen in lead vocal, fellow Americanist Matt in solo guitar, and me on rhythm guitar and backing vocal.

We rendered the song as close to the original recording as possible, and at the end of one such rendition, the normally low-key and quiet Matt let out, “It’s the best Beatles song ever!” KEEP READING!

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